quinta-feira, dezembro 11, 2008

Jam Sessions - All Blues Styles

Lesson 2 - Blues in D



Lesson SampleReady to jam?! In this lesson you'll learn a couple different rhythm riffs and 3 different solos made from 3 different scales. Here's your jam track. This is a classic progression used in the blues/rock style. Try this with either super clean or slightly distorted tone, add chorus and a little bit of reverb. Notice the Cadd9 and G chords both use the 3rd and 4th fingers, so does the Dsus4 chord. Here's how I suggest playing the rhythm part:







Here's another way of playing the 3 basic chords.



Since the D chord is NOT a minor chord, the D major pentatonic would be my first choice of scales to use:





Here's a little solo from this scale:









The major pentatonic against the major chord gives you a strong sound. To get a blues-ier sound, try the minor pentatonic against the major chord.



Now listen to this solo. It is the same thing only using the D minor pentatonic. Notice it has a raunchier and bluesy tone to the over-all sound:



There is another good scale you can use to jam with, the D mixolydian mode:




The mixolydian mode is the dominant scale. It is the 5th mode of the G major scale. It has 7 different tones in it, making it more melodic sounding than the 5 tone pentatonic scales. Here's an example:


quarta-feira, dezembro 10, 2008

Jam Sessions - All Blues Styles


Here's the jam track and it's 12 bar chord progression. This is a typical minor 1 - 4 - 5 progression. You can call the Cm as the I chord, Fm as the IV, and Gm as the V chord in Cm. In theory, the Cm is the relative minor in the key signature of Eb major, the Fm chord is the ii chord in Eb, and Gm is the iii chord in Eb.




Chord chart


Solo Chart






Video